» » Mescalinum United / The Mover - Planet Core Productions Special Double AA Side
Mescalinum United / The Mover - Planet Core Productions Special Double AA Side Mp3
Electronic
Performer: Mescalinum United / The Mover
Title: Planet Core Productions Special Double AA Side
Style: Hardcore, Techno
Year 1991
Country US
Label Industrial Strength Records
Catalog Number IS001
Genre: Electronic
Rating: 4.0
Votes: 328
MP3 size: 1015 mb
FLAC size: 1283 mb
WMA size: 1956 mb
Record From: Vinyl, 12", 33 ⅓ RPM

Mescalinum United / The Mover - Planet Core Productions Special Double AA Side Mp3

Tracklist

1The MoverNightflight (Non-Stop To Kaos)4:40
2Mescalinum UnitedWe Have Arrived4:16

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
IS001Mescalinum United / The Mover Mescalinum United / The Mover - Planet Core Productions Special Double AA Side ‎(12", Promo, W/Lbl)Industrial Strength RecordsIS001US1991

Credits

  • Executive-Producer [In USA]Jennifer Williams , Lenny Dee
  • ProducerThe Mover

Notes

Transmitted from the Planet Core
Recorded and mixed at High Pressure Jam Terrortories
Made in Frankfurt, Germany
Deeman Music ASCAP
Published by ICM/Hanseatic
℗ & © PCP 1991

Distributed by Watts Music

Companies

  • Phonographic Copyright (p) – Planet Core Productions
  • Copyright (c) – Planet Core Productions
  • Distributed By – Watts Music
  • Published By – Deeman Music
  • Published By – ICM/Hanseatic
  • Recorded At – High Pressure Jam Terrortories
  • Mixed At – High Pressure Jam Terrortories

Video

Unsoo
In retrospect Marc Acardipane was one of the best producers of the early 90's. His sound always belonged to him and him only. He layered his sounds with darkness. The beats were relentless. They held back for nobody, consuming everything in its path. We built our scene in the Brooklyn Undergound from tracks like this. Music made for large spaces. It was E.P's like this one that made perfect sense in an old warehouse where people and sound would meet and these warehouses sometimes were vacant for decades...Tracks like this did not sit well with most people that were playing House music. Way to abrasive, loud and gritty. But the more people that heard these records in that setting knew that these records were made for just that. These became timeless tracks. To think that Acardipane was thinking about recording this 15 years ago is sheer proof that the man was thinking for the future. Because if it sounds like this in 2008, I am sure it will sound this way in 2017. Marc Acardipaine, Yes we will see you in 2017, For sure.
Danial
2018 as well... this will sound good in 2050 mark my words... no joke
Realistic
Frankie, it is now 2017 like you stated in the above post. Acardipane's future thinking from 1991 is still as relevant now, as it was then. Menacing sounds, that have stood the test of time.
Berkohi
First heard it down House of God in about 97, currently listening to it in 2017 and it still sounds immense!
OTANO
To say that this record is important is an understatement. I don't know which side to consider the kicker on this release. I still get chills thinking about either side. "We have arrived" pretty much should be self explanatory. I think it's the song that truly signaled the arrival of hardcore techno. At least for us kids in the Minneapolis it did. Punisher was good and hard, but it wasn't scary enough. This record was and still is. Hearing this at First Avenue in Minneapolis at Depth Probe for the first time was like being in a horror movie. It took everything creepy, terrifying, dark and fun about Industrial/ebm like what Skinny Puppy and Ministry were trying to do and everything that made gore and sludge rock and death metal so fun to bounce around to and so terrifyingly on the brink of distaster and welded it to a kick that impacted like buckshot from a sawed off 12 gauge. Nightflight is a song meant for HUGE mammoth sound systems in cavernous dark burnt out rooms. Brian Eno should be proud of a song such as this. It's truly music inspired by where it was intended to be played. industrial era ruins.