Tracklist
1 | Épilogue | 1:38 |
2 | Coquetterie PosthumePiano – James Levine Soprano Vocals – Dawn UpshawText By [Poetry] – Théophile Gautier | 3:26 |
3 | I En Sourdine - 2e Version | 3:14 |
4 | Berceuse HéroïquePiano – Paul Crossley | 4:22 |
5 | Acte I: Scène III: Devant Le Château | |
6 | Fleurs Des Blés | 2:05 |
7 | Nuages | 7:04 |
8 | X La Cathédrale Engloutie | 6:03 |
9 | Nuit D'Étoiles | 3:29 |
10 | Noël Des Enfants Qui N'Ont Plus De MaisionPiano – George TrovilloSoprano Vocals – Eileen FarrellText By [Poetry] – Claude Debussy | 2:46 |
11 | IV Recueillement | 5:03 |
12 | III Mouvement | 3:07 |
13 | Nº3: «Païan, Lyre D'or, Arc D'Argent!» (Acte III: Le Concile Des Faux Dieux) | |
14 | Clair De Lune - 1re VersionPiano – James Levine Soprano Vocals – Dawn UpshawText By [Poetry] – Paul Verlaine | 2:48 |
15 | III Toccata | 3:33 |
16 | VII Pour Les Degrés Chromatiques (Livre II) | 2:22 |
17 | IV Après Fortune Faite | 1:30 |
18 | VI Pour Remercier La Pluie Au Matin | 2:04 |
19 | Clair De Lune | 3:11 |
20 | I Pastorale | 6:49 |
21 | La Mer Est Plus Belle (From Trois Mélodies)Piano – George TrovilloSoprano Vocals – Eileen FarrellText By [Poetry] – Paul Verlaine | 2:29 |
22 | Pour Le PianoPiano – Philippe Entremont | |
23 | En Bateau (Petite Suite)Arranged By [For Violin And Piano] – Gaston ChoisnelPiano – Sergei BezrodnyViolin – Vladimir Spivakov | 3:48 |
24 | Quatuor À Cordes (String Quartet)Cello – Sadao HaradaEnsemble – Tokyo String QuartetViola – Kazuhide IsomuraViolin – Kikuei Ikeda, Peter Oundjian | |
25 | Fantaisie Pour Piano Et OrchestreConductor – Marek JanowskiOrchestra – Orchestre Philharmonique De Radio FrancePiano – Barry Douglas | |
26 | Nº1: Prélude (Acte II: La Chambre Magique) | |
27 | I Pour Les «Cinq Doigts», D'Après M. Czerny (Livre I) | 3:16 |
28 | Sirènes | 10:59 |
29 | II Le Champ De Bataille | 9:42 |
30 | La Chavelure (Chansons De Bilitis)Arranged By [For Violin And Piano], Violin – Jascha HeifetzPiano – Brooks Smith | 2:34 |
31 | VI «General Lavine» Eccentric | 2:41 |
32 | Nº4: «Avez-vous Vu Celui Que J'aime?» (Acte III: Le Concile Des Faux Dieux) | |
33 | IX Hommage À S.Pickwick, Esq. P.P.M.P.C. | 2:19 |
34 | Première Rhapsodie Pour Clarinette Et OrchestreClarinet – Gervase de PeyerConductor – Pierre BoulezOrchestra – New Philharmonia Orchestra | 8:38 |
35 | Clair De Lune (Suite Bergamasque)Arranged By [For Violin And Orchestra] – Arthur HarrisConductor – Milton KatimsOrchestra – Columbia Symphony OrchestraViolin – Isaac Stern | 4:45 |
36 | Nocturne Et Scherzo (Pour Violoncelle Et Piano)Cello – Steven IsserlisPiano – Thomas Adès | 3:51 |
37 | I Andantino Con Moto | 3:31 |
38 | XII Feux D'Artifice | 4:21 |
39 | I Prélude | 4:00 |
40 | IV Passepied | 3:55 |
41 | RegretPiano – James Levine Soprano Vocals – Dawn UpshawText By [Poetry] – Paul Bourget | 2:31 |
42 | Sonate En Trio (Pour Flûte Alto Et Harpe)Flute, Conductor, Orchestrated By, Arranged By [For Flute, Viola And Harp] – James GalwayHarp – Marisa RoblesOrchestra – Chamber Orchestra Of EuropeViola – Graham Oppenheimer | |
43 | Nº1: Interlude (Acte V: Le Paradis) | |
44 | VI Des Pas Sur La Neige | 4:25 |
45 | III Pour Les Quartes (Livre I) | 5:09 |
46 | III Clair De Lune | 5:38 |
47 | II Modéré | 6:08 |
48 | II Jeux De Vagues | 6:15 |
49 | Acte III: Scène III: Une Terrasse Au Sotir Des Souterrains | |
50 | Deux Danses Pour Harpe Et OrchestreConductor – Pierre BoulezHarp – Alice ChalifouxOrchestra – The Cleveland Orchestra | |
51 | XI Les Tierces Alternées | 2:21 |
52 | Mandoline | 1:29 |
53 | Nº3: «Qui Pleure Mon Enfant Si Doux» (Acte II: La Chambre Magique) | |
54 | XI La Danse De Puck | 3:10 |
55 | L'Isle JoyeusePiano – Vladimir Horowitz | 5:52 |
56 | III Clair De Lune - 2e Version | 1:18 |
57 | Nº2: «Sébastien! Sebastien! Sebastien!» (Acte I: La Cour Des Lys) | |
58 | IV Pour Les Sixtes (Livre I) | 4:37 |
59 | V The Little Shepherd | 2:14 |
60 | Images (Oubliées)Piano – Paul Crossley | |
61 | II Danse Profane | 5:00 |
62 | Nuit D'Étoiles - Debussy On Harp | |
63 | Paysage SentimentalPiano – James Levine Soprano Vocals – Dawn UpshawText By [Poetry] – Paul Bourget | 2:59 |
64 | Acte III: Scène I: Une Des Tours Du Château | |
65 | The Little Shepherd (Children's Corner)Flute, Conductor – James GalwayHarp – Marisa RoblesOrchestra – Chamber Orchestra Of EuropeViola – Graham Oppenheimer | 2:28 |
66 | Images Pour OrchestreConductor – Pierre BoulezOrchestra – The Cleveland Orchestra | |
67 | Préludes - Livre IArranged By [For Harp], Harp – Xavier de Maistre | |
68 | La Fille Aux Cheveux De Lin (Préludes I)Clarinet – Richard StoltzmanHarp – Nancy Allen | 3:06 |
69 | II Hommage À Rameau | 6:54 |
70 | Chamber Music | |
71 | IV Les Fées Sont D'Exquises Danseuses | 3:02 |
72 | II Intermède. Fantasque Et Léger | 3:55 |
73 | Ballade (Slave)Piano – Paul Crossley | 7:02 |
74 | Pièce Pour Piano (Morceau De Concours)Baby Grand Piano – Paul Crossley | 0:59 |
75 | Danse Sacrée | 4:53 |
76 | IV Finale. Appassionato | 5:32 |
77 | II Allegretto Scherzando | 3:59 |
78 | Nº1: Prélude. Lent - «Frère, Et Que Sera-t-il Le Monde Allégé De Tout Notre Amour?» (Acte I: La Cour Des Lys) | |
79 | Deux ArabesquesArranged By [For Harp] – Henriette ReniéHarp – Xavier de Maistre | |
80 | II Allegretto Scherzandoin | 3:34 |
81 | Images - 1re SériePiano – Philippe Entremont | |
82 | II Feuilles Mortes | 3:21 |
83 | Préludes - Livre IPiano – Paul Crossley | |
84 | III Rondes De Printemps | 8:07 |
85 | II Assez Vid Et Bien Rythmé | 3:46 |
86 | Syrinx (Pour Flûte Seule)Flute – Jean-Pierre Rampal | 2:27 |
87 | Nº2: «Gloire!» (Acte V: Le Paradis) | |
88 | III Pour Que La Nuit Soit Propice | 2:17 |
89 | Rapsodie Pour Orchestre Et SaxophoneConductor – Leonard BernsteinOrchestra – New York PhilharmonicSaxophone – Sigurd Rascher | 10:21 |
90 | III Le Tombeau Des Naïades | 3:15 |
91 | La Faune (From Fêtes Galantes)Piano – George TrovilloSoprano Vocals – Eileen FarrellText By [Poetry] – Paul Verlaine | 1:49 |
92 | Valse RomantiquePiano – Paul Crossley | 3:25 |
93 | II Ibéria: 2. Le Parfums De La Nuit | 8:11 |
94 | Ariettes OubliéesMezzo-soprano Vocals – Frederica von StadePiano – Martin KatzText By [Poetry] – Paul Verlaine | |
95 | II Menuet | 4:39 |
96 | Acte II: Scène I: Une Fontaine Dans Le Parc | |
97 | MandolinePiano – James Levine Soprano Vocals – Dawn UpshawText By [Poetry] – Paul Verlaine | 1:26 |
98 | XII Pour Les Accords (Livre II) | 5:20 |
99 | Le Martyre De Saint Sébastien = The Martydom Of Saint Sebastian (Mystère En 5 Actes)Chorus – London Symphony ChorusChorus Master – Stephen WestropConductor – Michael Tilson ThomasContralto Vocals – Nathalie StutzmannLibretto By – Gabriele D'AnnunzioMezzo-soprano Vocals – Ann MurrayNarrator – Leslie CaronOrchestra – London Symphony OrchestraSoprano Vocals – Sylvia McNair | (66:25) |
100 | I La Flûte De Pan | 3:07 |
101 | Aquarelles - 2. Spleen | 2:39 |
102 | Acte IV: Scène II | |
103 | Acte I: Scène II: Un Appartament Dans Le Château | |
104 | V La Mort Des Amants | 3:08 |
105 | II Cortège | 3:00 |
106 | I Reflets Dans L'Eau | 5:07 |
107 | MandolineArranged By [For Flute And Orchestra], Orchestrated By – Christopher PalmerFlute, Conductor – James GalwayOrchestra – London Mozart Players | 1:52 |
108 | I Le Magasin De Jouets | 11:01 |
109 | Beau SoirPiano – George TrovilloSoprano Vocals – Eileen FarrellText By [Poetry] – Paul Bourget | 2:38 |
110 | Acte IV: Scène III: Une Fontaine Dans Le Parc | |
111 | La Fille Aux Cheveux De Lin (Préludes I)Arranged By [For Violin And Piano] – Arthur HartmannPiano – Brooks Smith Violin – Jascha Heifetz | 2:23 |
112 | II Pour Les Tierces (Livre I) | 4:11 |
113 | II Allegretto Scherzando | 3:03 |
114 | Nº6: «Io! Io! Adoniastes!» (Acte III: Le Concile Des Faux Dieux) | |
115 | II Voiles | 4:05 |
116 | Deux ArabesquesArranged By [For Clarinet And Harp], Clarinet – Richard StoltzmanArranged By [For Clarinet And Harp], Harp – Nancy Allen | |
117 | V Pour Les Octaves (Livre I) | 3:10 |
118 | IV Pour La Danseuse Aux Crotales | 2:00 |
119 | Acte III: Scène IV: Devant Le Château | |
120 | Children's Corner (Petite Suite)Piano – Robert Casadesus | |
121 | Nº7: «Il Est Mort, Le Bel Adonis» (Acte III: Le Concile Des Faux Dieux) | |
122 | VIII Ondine | 3:36 |
123 | Douze Études Pour Le PianoPiano – Paul Crossley | |
124 | Nº1: Prélude (Acte IV: Le Laurier Blessé) | |
125 | IX La Sérénade Interrompue | 2:59 |
126 | Prélude | 3:03 |
127 | Piano Works | |
128 | Songs | |
129 | VIII Pour Les Agréments (Livre II) | 5:15 |
130 | Fantoches - 1re VersionPiano – James Levine Soprano Vocals – Dawn UpshawText By [Poetry] – Paul Verlaine | 1:34 |
131 | Danse Profane | 5:00 |
132 | RêveriePiano – Paul Crossley | 3:56 |
133 | III Andante Espressivo | 3:58 |
134 | PierrotPiano – Friedrich HaiderSoprano Vocals – Edita GruberovaText By [Poetry] – Théodore De Banville | 1:19 |
135 | III Le Vent Dans La Plaine | 1:59 |
136 | III Finale | 3:46 |
137 | Deux Danses (Pour Harp Chromatique Et Orchestre À Cordes)Harp – Xavier de MaistreOrchestra – Members Of The Wiener Philharmoniker | |
138 | VIII La Fille Aux Cheveux De Lin | 2:47 |
139 | I De L'Aube À Midi Sur La Mer | 8:37 |
140 | III Quelques Aspects De Nous N'Irons Plus Au Bois | 4:02 |
141 | ApparitionPiano – Friedrich HaiderSoprano Vocals – Edita GruberovaText By [Poetry] – Stéphane Mallarmé | 3:47 |
142 | Hommage À HaydnPiano – Paul Crossley | 1:58 |
143 | I Animé Et Très Décidé | 6:40 |
144 | II Pour Un Tombeau Sans Nom | 3:11 |
145 | Jeux (Ballet En Un Acte)Conductor – Pierre BoulezOrchestra – New Philharmonia Orchestra | 17:05 |
146 | II Interlude | 5:35 |
147 | I Bruillards | 3:34 |
148 | III La Puerta Del Vino | 3:22 |
149 | En Sourdine - 1re VersionPiano – James Levine Soprano Vocals – Dawn UpshawText By [Poetry] – Paul Verlaine | 2:57 |
150 | I Le Balcon | 7:53 |
151 | Aquarelles - 1. Green | 2:20 |
152 | Cinq Poèmes De BaudelairePiano – James Levine Soprano Vocals – Dawn UpshawText By [Poetry] – Charles Baudelaire | |
153 | PantomimePiano – James Levine Soprano Vocals – Dawn UpshawText By [Poetry] – Paul Verlaine | 2:10 |
154 | I En Bateau | 3:13 |
155 | Apparition | 3:51 |
156 | III Le Rossognol Qui, Du Haut D'Une Branche (C. de Bergerac) | 2:52 |
157 | II Scherzo-Intermezzo. Moderato Con Allegro | 3:20 |
158 | Valse RomantiqueArranged By [For Harp], Harp – Xavier de Maistre | 3:58 |
159 | III Andantino, Doucement Expressif | 8:20 |
160 | II Il Pleut Doucement Sur La Ville (Rimbaud) | 2:48 |
161 | Le Lilas | 1:37 |
162 | II Ibéria: 1. Par Les Rues Et Par Le Chemins | 7:07 |
163 | Romance «Voici Que Le Printemps»Piano – James Levine Soprano Vocals – Dawn UpshawText By [Poetry] – Paul Bourget | 2:22 |
164 | Encores | |
165 | III Poissons D'Or | 3:46 |
166 | VI Pour Les Huit Doights (Livre I) | 1:45 |
167 | XI Pour Les Arpèges Composés (Livre II) | 4:50 |
168 | VIII La Fille Aux Cheveux De Lin | 2:21 |
169 | Acte V: Une Chambre Dans Le Château | |
170 | Printemps (Suite Symphonique Pour Clarinette Et Orchestre)Conductor – Pierre BoulezOrchestra – New Philharmonia Orchestra | |
171 | I Prélude | 4:25 |
172 | I Danseuses De Delphes | 3:27 |
173 | La Plus Que Lente (Valse)Piano – Arthur Rubinstein | 4:28 |
174 | II La Soirée Dans Grenade | 5:17 |
175 | II Jimbo's Lullaby | 2:56 |
176 | Fleurs Des BlésPiano – George TrovilloSoprano Vocals – Eileen FarrellText By [Poetry] – André Girod | 1:42 |
177 | I Prologue | 4:20 |
178 | Acte IV: Scène I: Un Appartament Dans Le Château | |
179 | Nº2: «Je Fauchais L'épi De Froment» (Acte II: La Chambre Magique) | |
180 | II Et La Lune Descend Sur Le Temple Qui Fut | 5:31 |
181 | Fêtes Galantes - 1er RecueilMezzo-soprano Vocals – Frederica von StadePiano – Martin KatzText By [Poetry] – Paul Verlaine | |
182 | Acte IV: Scène IV | |
183 | IV Très Modéré | 7:17 |
184 | Nº2: «Il Est Là, Le Pasteur. Regardez» (Acte IV: Le Laurier Blessé) | |
185 | II Lento E Molto Espressivo | 8:26 |
186 | La Plus Que LenteArranged By [For Violin And Piano] – Léon RoquesPiano – Brooks Smith Violin – Jascha Heifetz | 4:03 |
187 | II Menuet | 4:00 |
188 | III Jardins Sous La Pluie | 3:39 |
189 | MélodiesArranged By [For Soprano And Harp], Harp – Xavier de MaistreSoprano Vocals – Diana Damrau | |
190 | La Damoiselle ÈlueChorus – Women Of The Los Angeles Master ChoraleChorus Master – Paul SalamunovichConductor – Esa-Pekka SalonenMezzo-soprano Vocals – Paula RasmussenText By [After] – Dante Gabriel RossettiText By [French] – Gabriel Sarrazin | 20:15 |
191 | III Dialogue Du Vent Et De La Mer | 7:55 |
192 | I Pour Invoquer Pan, Dieu Du Vent D'Été | 2:10 |
193 | Préludes - Livre IIPiano – Paul Crossley | |
194 | IX Pour Les Notes Répétées (Livre II) | 3:39 |
195 | Deux ArabesquesPiano – Philippe Entremont | |
196 | Suite BergamasqueArranged By [For Harp], Harp – Xavier de Maistre | |
197 | Danse BohémiennePiano – Paul Crossley | 2:08 |
198 | I Andantino Con Moto | 4:38 |
199 | V Le Collines D'Anacapri | 3:25 |
200 | III Le Jet D'Eau | 5:22 |
201 | The Little Nigar (Cakewalk)Piano – Paul Crossley | 1:37 |
202 | Clair De Lune (Suite Bergamasque)Flute, Conductor – James GalwayHarp – Marisa RoblesOrchestra – Chamber Orchestra Of Europe | 4:39 |
203 | I Cloches À Travers Les Feuilles | 4:28 |
204 | Nº1: Prélude - Nº2: Modéré (Acte III: Le Concile Des Faux Dieux) | |
205 | I Danse Sacrée | 5:10 |
206 | La Mer (Trois Esquisses Symphoniques)Conductor – Charles MunchOrchestra – Boston Symphony Orchestra | |
207 | II Lent. Sombre | 6:00 |
208 | La Romance D'ArielPiano – James Levine Soprano Vocals – Dawn UpshawText By [Poetry] – Paul Bourget | 4:23 |
209 | Prélude À L'Après-Midi D'Un FauneConductor – Charles MunchOrchestra – Boston Symphony Orchestra | 9:02 |
210 | Sonate Pour Violoncelle Et PianoCello – Lynn HarrellPiano – James Levine | |
211 | Romance «Silence Ineffable De L'Heure»Piano – James Levine Soprano Vocals – Dawn UpshawText By [Poetry] – Paul Bourget | 2:31 |
212 | II Ibéria: 3. Le Matin D'Un Jour De Fête | 4:25 |
213 | II Sarabande | 5:52 |
214 | Valsette (La Boîte À Joujoux)Arranged By [For Flute And Harp], Orchestrated By, Flute, Conductor – James GalwayHarp – Marisa RoblesOrchestra – Chamber Orchestra Of EuropeViola – Graham Oppenheimer | 1:42 |
215 | Ballet (Petite Suite)Flute, Conductor – James GalwayHarp – Marisa RoblesOrchestra – Chamber Orchestra Of EuropeViola – Graham Oppenheimer | 3:26 |
216 | III Clair De Lune | 5:07 |
217 | IV «Les Sons Et Les Parfums Tournent Dans L'Air Du Soir»Text By [Title] – Baudelaire | 4:13 |
218 | I Andantino Con Moto | 4:30 |
219 | Tarentelle StyriennePiano – Paul Crossley | 4:59 |
220 | I Avec Emportement | 4:10 |
221 | II Voiles | 3:55 |
222 | V Pour L'Égyptienne | 2:36 |
223 | Page D'Album (Pièce Pour L'Œuvre Du «Vêtement Du Blessé»Piano – Paul Crossley | 1:18 |
224 | Beau SoirArranged By [For Violin And Piano], Violin – Jascha HeifetzPiano – Brooks Smith | 2:02 |
225 | Petite Pièce (Pour Clarinette Et Piano)Clarinet – Stanley DruckerPiano – Leonid Hambro | 1:28 |
226 | Sonate Pour Violon Et PianoPiano – Alexander ZakinViolin – Isaac Stern | |
227 | II Sérénade | 2:55 |
228 | D'Un Cahier D'EsquissesPiano – Paul Crossley | 4:34 |
229 | VII La Terrasse Des Audiences Du Clair De Lune | 4:22 |
230 | I Andante Ma Non troppo - Allegro Giusto | 8:14 |
231 | Images - 2e SériePiano – Philippe Entremont | |
232 | I Le Vent Dans La Plaine / Suspend On Haleine (Favart) | 3:19 |
233 | XII Minstrels | 2:30 |
234 | III La Bergerie À Vendre | 7:09 |
235 | I Lent | 4:05 |
236 | III Finale. Très Animé | 3:41 |
237 | La Boîte À Joujoux (Ballet Pour Enfants)Conductor – Michael Tilson ThomasOrchestra – London Symphony Orchestra | |
238 | IV Passepied | 3:33 |
239 | The Little NigarArranged By [For Flute And Harp], Orchestrated By, Flute, Conductor – James GalwayHarp – Marisa RoblesOrchestra – Chamber Orchestra Of Europe | 1:47 |
240 | III Final | 4:44 |
241 | I Andantino Con Moto Allegro | 8:41 |
242 | I Prélude | 4:10 |
243 | [III] Allegro Molto | 8:22 |
244 | MusiquePiano – James Levine Soprano Vocals – Dawn UpshawText By [Poetry] – Paul Bourget | 1:49 |
245 | Acte I: Scène I: Une Forêt | |
246 | Chansons De BilitisMezzo-soprano Vocals – Frederica von StadePiano – Martin KatzText By [Poetry] – Pierre Louÿs | |
247 | RêverieArranged By [For Harp], Harp – Xavier de Maistre | 4:49 |
248 | Suite BergamasquePiano – Paul Crossley | |
249 | Premier Trio En Sol MajeurCello – Gary Hoffman Piano – André PrevinViolin – Julie Rosenfeld | |
250 | Nº3: Danse Extatique De Sébastien Sur Le Charbons Embrasés - «Hymnes, Toute L'ombre S'efface» (Acte I: La Cour Des Lys) | |
251 | Nº5: «Ne Pleurez Plus!» (Acte III: Le Concile Des Faux Dieux) | |
252 | IV Paysages Belges. Chevaux De Bois | 3:14 |
253 | Acte II: Scène II: Un Appartament Dans Le Château | |
254 | III Menuet | 2:37 |
255 | V Bruyères | 3:03 |
256 | EstampesPiano – Paul Crossley | |
257 | ÉlegiePiano – Paul Crossley | 1:43 |
258 | Acte III: Scène II: Les Souterrains Du Château | |
259 | VII Ce Qu'A Vu Le Vent D'Ouest | 3:51 |
260 | Nocturnes (Triptyque Symphonique Pour Orchestre Et Chœurs)Chorus – John Alldis ChoirConductor – Pierre BoulezOrchestra – New Philharmonia Orchestra | |
261 | VI Golliwogg's Cakewalk | 2:45 |
262 | II Harmonie Du Soir | 4:08 |
263 | I Allegro Vivo | 4:22 |
264 | Six Épigraphes Antiques (Pour Piano À Quattre Mains)Piano – Gaby Casadesus, Robert Casadesus | |
265 | I Doctor Gradus Ad Parnassum | 1:54 |
266 | MazurkaPiano – Paul Crossley | 2:30 |
267 | I Très Modéré | 9:55 |
268 | II La Chevelure | 4:03 |
269 | Petite Suite (Pour Piano À Quattre Mains)Piano – Gaby Casadesus, Robert Casadesus | |
270 | - | |
271 | III Serenade For The Doll | 2:09 |
272 | X Pour Les Sonorités Opposées (Livre II) | 6:29 |
273 | III Scherzando | 4:27 |
274 | I Danseuses De Delphes | 2:59 |
275 | Acte II: Scène III: Devant Une Grotte | |
276 | I Pagodes | 5:56 |
277 | Deux Danses (Danse Sacrée - Danse Profane) (Arranged For Flute, Viola And Harp)Arranged By [For Flute, Viola And Harp], Flute, Conductor, Orchestrated By – James GalwayHarp – Marisa RoblesOrchestra – Chamber Orchestra Of EuropeViola – Graham Oppenheimer | 10:52 |
278 | Nº3: «Hélas!» (Acte IV: Le Laurier Blessé) | |
279 | IV Ballet | 2:52 |
280 | I Gugues | 7:38 |
281 | MasquesPiano – Paul Crossley | 5:22 |
282 | Beau Soir | 2:48 |
283 | II Fantoches - 2e Version | 3:10 |
284 | Pelléas Et Mélisande (Drame Lyrique En 5 Actes)Chorus – Chorus Of The Royal Opera House, Covent GardenChorus Master – Douglas RobinsonConductor – Pierre BoulezLibretto By – Maurice MaeterlinckOrchestra – Orchestra Of The Royal Opera House, Covent GardenVocals [Arkel] – David Ward Vocals [Geneviène] – Yvonne MintonVocals [Golaud] – Donald McIntyreVocals [Mélisande] – Elisabeth SöderströmVocals [Pelléas] – George ShirleyVocals [Un Berger / Un Médicin] – Dennis WicksVocals [Yniold] – Anthony Britten | (154:33) |
285 | Golliwogg's Cakewalk (Children's Corner)Arranged By [For Violin And Piano], Violin – Jascha HeifetzPiano – Brooks Smith | 2:34 |
286 | IV The Snow Is Dancing | 1:59 |
287 | NocturnePiano – Paul Crossley | 6:30 |
288 | RêverieFlute, Conductor – James GalwayHarp – Marisa RoblesOrchestra – Chamber Orchestra Of Europe | 4:36 |
289 | Orchestral Works & Ballets | |
290 | La Fille Aux Cheveux De Lin (Préludes I)Flute, Conductor – James GalwayHarp – Marisa RoblesOrchestra – Chamber Orchestra Of EuropeViola – Graham Oppenheimer | 2:24 |
291 | Fêtes | 6:40 |
292 | En Blanc Et Noir (Trois Morceaux Pour Deux Pianos)Piano – Gaby Casadesus, Robert Casadesus | |
293 | L'Enfant Prodigue (Scène Lyrique)Conductor – Francesco Molinari PradelliOrchestra – RCA Italiana Opera OrchestraSoprano Vocals – Leontyne PriceText By [Poetry] – Édouard Guinand | 4:47 |
294 | X Canope | 3:04 |
Credits
- Artwork – www.waps.net
- Booklet Editor – Texthouse, Hamburg
- Composed By – Claude Debussy
- Liner Notes – Wolfgang Stähr
- Photography By – Unknown Artist
Notes
CD1:
Tracks 1 to 3: Recordings: Symphony Hall, Boston, USA, December 9, 1956; (P) 1959 Sony Music Entertainment.
Tracks 7 & 8: Recordings: EMI Studios, London, Great Britain, December 1, 1968; (P) 1971 Sony Music Entertainment.
Tracks 4 to 6 & 9: Recordings: EMI Studios, London, Great Britain, December 1968; (P) 1971 Sony Music Entertainment.
CD2:
Track 1: Recordings: Symphony Hall, Boston, USA, March 13, 1962; (P) 1962 Sony Music Entertainment.
Track 2: Recordings: Barking Town Hall, London, Great Britain, December 19, 1966; (P) 1969 Sony Music Entertainment.
Tracks 3 to 9: Recordings: Severance Hall, Cleveland, USA, November 17, 1967; (P) 1969 Sony Music Entertainment.
CD3:
Tracks 1 to 6: Recordings: Abbey Road, Studio 1, London, Great Britain, February 18, 1991; (P) 1992 Sony Music Entertainment.
Tracks 7 to 9: Recordings: Salle Olivier Messaiaen, Radio France, Paris, France, December 16-21, 1994; (P) 1997 Sony Music Entertainment.
Track 10: Recordings: Manhattan Centre, New York City, USA, October 16, 1961; (P) 1966 Sony Music Entertainment.
Track 11: Recordings: New York City, USA, April 10, 1970; (P) 1971 Sony Music Entertainment.
Publishers: Boosey & Hawkes (ASCAP) (track 9); Durand & Co. (track 10); S.D.R.M. (track 11).
CD4:
Tracks 1 to 12: Recordings: Snape, Maltings, Concert Hall, Aldeburgh, Great Britain, April 21, 1992; (P) 1993 Sony Music Entertainment.
Tracks 13 to 18: Recordings: Paris, France, July 11, 1963; (P) 1964 Sony Music Entertainment.
CD5
Tracks 1 to 15: Recordings: Snape, Maltings, Concert Hall, Aldeburgh, Great Britain, April 21, 1992; (P) 1993 Sony Music Entertainment.
Tracks 16 to 21: Recordings: April 11, 1950; (P) 1951 Sony Music Entertainment.
Track 22: Recordings: June 1970; (P) Sony Music Entertainment.
CD6:
Tracks 1 to 19: Recordings: Snape, Maltings, Concert Hall, Aldeburgh, Great Britain, November 23, 1992; (P) 1993 Sony Music Entertainment.
Track 20: Recordings (live): Carnegie Hall, New York City, USA, November 27, 1966; (P) 1967 Sony Music Entertainment.
CD7:
Tracks 1 to 6 & 12 to 19: Recordings: Snape, Maltings, Concert Hall, Aldeburgh, Great Britain, April 24/25 & November 23-27, 1992; (P) 1994 Sony Music Entertainment.
Tracks 7 to 9: Recordings: Paris, France, July 10, 1963; (P) 1964 Sony Music Entertainment.
Tracks 10 & 11: Recordings: Columbia 30th Street Studio, New York City, USA, December 1, 1959; (P) 1961 Sony Music Entertainment.
CD8:
Tracks 1 to 4: Recordings: France, January 1, 1959; (P) 1962 Sony Music Entertainment.
Tracks 5 to 10: Recordings: Paris, France, Spring 1963; (P) 2012 Sony Music Entertainment.
Tracks 11 to 13: Recordings: Paris, France, Spring 1963; (P) 1964 Sony Music Entertainment.
Publishers: Theodore Presser Co. (Europe) (tracks 11 to 13).
CD9:
Tracks 1 to 4: Recordings: BMG Studio A, New York City, USA, September 1-3, 1992; (P) 1995 Sony Music Entertainment.
Track 5: Recordings: EMI Studio 1, Abbey Road, London, Great Britain, June 1, 1997; (P) 1998 Sony Music Entertainment.
Tracks 6 to 9: Recordings: Richardson Auditorium, Princeton, USA, November 10/11, 1992 & January 10-13, 1994; (P) 1994 Sony Music Entertainment.
Track 10: Recordings: France; (P) 1976 Sony Music Entertainment.
CD10:
Tracks 1 to 3: Recordings: New York City, USA, October 17/18, 1974; (P) 1975 Sony Music Entertainment.
Tracks 4 to 7: Recordings: CBS Studios, London, Great Britain, December 1984, January 1985 & December 1985; (P) 1986 Sony Music Entertainment.
Tracks 8 to 10: Recordings: Columbia 30th Street Studio, New York City, USA, January 4, 1960; (P) 1960 Sony Music Entertainment.
Publishers: Editions Durand & Cie. (ASCAP) (tracks 1 to 3); Blue Network Music Inc. (ASCAP) (Tracks 4 to 6).
CD11:
Tracks 1 & 2: Recordings: New York City, USA, February 3, 1960; (P) 1960 Sony Music Entertainment.
Tracks 3 & 14: Recordings: Austrophon Studios, Vienna, Austria; (P) 1985 Sony Music Entertainment.
Tracks 4 to 13, 15 & 16: Recordings: Manhattan Centre, New York City, USA, January 30-February 2 & November 24-26, 1995; (P) 1997 Sony Music Entertainment.
Tracks 17 to 22: Recordings: Manhattan Centre, New York City, USA, April 29/30, 1993; (P) 1994 Sony Music Entertainment.
CD12:
Tracks 1 to 5: Recordings: Manhattan Centre, New York City, USA, November 24, 1995; (P) 1997 Sony Music Entertainment.
Tracks 6 to 8: Recordings: Manhattan Centre, New York City, USA, April 29/30, 1993; (P) 1994 Sony Music Entertainment.
Tracks 9 & 13: Recordings: Columbia 30th Street Studio, New York City, USA; (P) 1994 Sony Music Entertainment.
Tracks 10 to 12: Recordings: December 19, 1977; (P) 1978 Sony Music Entertainment.
Track 14: Recordings: New York City, USA, February 3, 1960; (P) 1960 Sony Music Entertainment.
Track 15: Recordings: June 24/25/27/28, 1966; (P) 1967 Sony Music Entertainment.
Track 16: Recordings: Royce Hall, University Of California, Los Angeles, USA, February 22, 1993; (P) 1994 Sony Music Entertainment.
Publishers: Durand & Co. (track 14).
CD13, CD14 & CD15:
Recordings: London, Great Britain; (P) 1970 Sony Music Entertainment (UK) Ltd.
CD16
Recordings: All Saints Church, Tooting, London, Great Britain, September 30-October 2, 1991; (P) 1992 Sony Music Entertainment.
CD17:
Tracks 1 to 7: Recordings: CBS Studios, London, Great Britain, December 1984, January & December 1985; (P) 1986 Sony Music Entertainment.
Track 8: Recordings: Whitfield Studios, London, Great Britain, February 16/17 & May 6, 1999; (P) 2002 Sony Music Entertainment.
Tracks 9 to 11: Recordings: American Academy of Arts and Letters, New York City, USA, January 10-13, 1988; (P) 1990 Sony Music Entertainment.
Track 12: Recordings: Manhattan Centre, New York City, USA, June 12, 1963; (P) 1967 Sony Music Entertainment.
Track 13: Recordings: St. George's Church, Brandon Hill, Great Britain, January 11-13, 1991; (P) 1991 Sony Music Entertainment.
Tracks 14 to 16: Recordings: RCA Studios, Hollywood, USA, April 14, 1965; (P) 1965 Sony Music Entertainment.
Track 17: Recordings: ORTF Studio 102, Paris, France, September 15, 1970; (P) 1970 Sony Music Entertainment.
Track 18: Recordings: Dorothy Chandler Pavilion, Los Angeles Music Centre, USA, October 23, 1972; (P) 1975 Sony Music Entertainment.
Publishers: Blue Network Music, Inc (ASCAP) (tracks 1 to 5, 7); Blue Network Music, Inc (ASCAP) / BMG Songs, Inc (track 6); EMI-Blackwood (track 12); Carl Fischer (ASCAP) (tracks 13 to 16); Theodore Presser (ASCAP) (track 18).
CD18:
Recordings: Casino Baumgarten, Vienna, Ustria, January 2-6, 2008; (P) 2008 Sony Music Entertainment.
Publishers: Henle Verlag (tracks 1 to 4, 16 to 18); Edition Peters (tracks 5 & 6); Hal Leonard Publishing Corp. (tracks 7, 9 to 13); Jobert (tracks 8); Durand S.A. Paris (tracks 14/15/19/20).
This compilation (P) & (C) 2012 Sony Music Entertainment.
Made in E.U.
Clamshell cardboard box contain 18 CDs in cardboard wallets (with same/similar artwork) and 32-page booklet.
Some copies may carry a sticker:
Limited Anniversary Edition - The Complete Masterworks on 18 CDs (see images).
Barcodes
- Barcode: 8 86919 31792 3
- Label Code: LC 06868
- Other (Category CD1): 88691931792-1
- Other (Category CD2): 88691931792-2
- Other (Category CD3): 88691931792-3
- Other (Category CD4): 88691931792-4
- Other (Category CD5): 88691931792-5
- Other (Category CD6): 88691931792-6
- Other (Category CD7): 88691931792-7
- Other (Category CD8): 88691931792-8
- Other (Category CD9): 88691931792-9
- Other (Category CD10): 88691931792-10
- Other (Category CD11): 88691931792-11
- Other (Category CD12): 88691931792-12
- Other (Category CD13): 88691931792-13
- Other (Category CD14): 88691931792-14
- Other (Category CD15): 88691931792-15
- Other (Category CD16): 88691931792-16
- Other (Category CD17): 88691931792-17
- Other (Category CD18): 88691931792-18
- Rights Society: BIEM / GEMA
Companies
- Phonographic Copyright (p) – Sony Music Entertainment
- Copyright (c) – Sony Music Entertainment
- Distributed By – Sony Music Entertainment
- Recorded At – Symphony Hall, Boston
- Recorded At – EMI Studios
- Recorded At – Barking Town Hall
- Recorded At – Severance Hall
- Recorded At – No.1 Studio, Abbey Road, London
- Recorded At – Salle Olivier Messiaen, Radio France, Paris, France
- Recorded At – Manhattan Center
- Recorded At – The Maltings
- Recorded At – Carnegie Hall
- Recorded At – Columbia 30th Street Studio
- Recorded At – BMG Studio A
- Recorded At – EMI Studio 1
- Recorded At – Richardson Auditorium
- Recorded At – CBS Studios, London
- Recorded At – Austrophon Studios
- Recorded At – Royce Hall
- Recorded At – All Saints Church, Tooting, London
- Recorded At – Whitfield Street Studios
- Recorded At – American Academy Of Arts And Letters
- Recorded At – St George's, Bristol
- Recorded By – RCA Studios, Hollywood
- Recorded At – Studios De l´O.R.T.F.
- Recorded At – Dorothy Chandler Pavilion
- Recorded At – Casino Baumgarten
- Pressed By – Sony DADC